Saudi Arabia’s anime and manga boom is a cultural revolution

Saudi Arabia’s anime and manga boom is a cultural revolution
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The General Entertainment Authority has been actively involved in organizing anime events and exhibitions, including the prominent Saudi Anime Expo. (SPA)
Saudi Arabia’s anime and manga boom is a cultural revolution
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The General Entertainment Authority has been actively involved in organizing anime events and exhibitions, including the prominent Saudi Anime Expo. (SPA)
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Updated 29 August 2024
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Saudi Arabia’s anime and manga boom is a cultural revolution

Saudi Arabia’s anime and manga boom is a cultural revolution
  • Industry can create jobs, says Manga Arabia editor Nouf Al-Hussein
  • Creation of Arab characters will help build national identity, she adds

RIYADH: Saudi Arabia’s burgeoning interest in manga and anime, a trend that can be traced to the 1970s, is helping to usher in a revolution in cultural production.

These Japanese art forms have captivated audiences of all ages, gaining significant popularity in recent years. Their ability to combine entertainment, culture and education has made them of great interest to Saudi Arabia society.

Manga, a form of Japanese graphic novels, differs from Western comics in several ways, including its reading direction which is from right to left.

To foster this growing culture, the General Entertainment Authority has been actively involved in organizing events and exhibitions. This includes the prominent Saudi Anime Expo, the largest of its kind in the Middle East, which has attracted visitors from around the world.

Furthermore, Riyadh’s “Anime Town” has solidified its position as the world’s largest anime city, featuring four distinct areas, and the Sakura Music Festival, held for the first time outside of Japan.

Jeddah also recently hosted the “Anime Village” event, which attracted many visitors and offered a variety of activities, including cosplay competitions, live shows, themed restaurants, and screenings of the latest films.

Manga Arabia magazine’s Editor-in-Chief Nouf Al-Hussein expressed optimism about the future of the local industry.

She said the growing interest in creative initiatives within the education and culture sectors would contribute to a more robust labor market and increased opportunities for growth in the industry.

Al-Hussein said: “Saudi society has become increasingly aware of the importance of nurturing diverse talents and skills, including those related to the Saudi manga and anime industry.”

She emphasized that achieving success in this field requires a strong foundation in drawing, writing and creative thinking.

Al-Hussein added that this trend would foster the development of local characters that embody authentic Arab values, the Saudi Arabia spirit, and a distinctive national identity.

She emphasized that such content could resonate with audiences on a global scale, contributing to the enhancement of Saudi Arabia culture.

Anime and manga critic and analyst Majed Al-Amer said the anime industry in the Kingdom has experienced remarkable growth.

Despite facing challenges due to the COVID-19 pandemic, the Saudi Arabia anime industry has surpassed many other countries that have been developing this culture for a longer period.

Al-Amer said the Kingdom has gained recognition as a producer on global entertainment platforms including Netflix, Shahid, StarzPlay and Crunchyroll. These platforms operate in Saudi Arabia and offer Arabic translations, demonstrating the industry’s significant potential.

He said manga rights are being acquired and distributed locally, with Arabic translations available in various outlets, including libraries and cinemas.

Regarding the most prominent challenges facing anime and manga creators in the Kingdom, Al-Amer said the biggest hurdle is social acceptance.

He emphasized the importance of society embracing the job opportunities available in this industry, including for manga writers and animators.

Al-Amer added that the anime industry would become a key component of the Kingdom’s economy within the next seven years.

He said the industry’s growth would drive the production of local content, leading to the creation of a new form of entertainment tourism in Saudi Arabia.

Al-Amer said content produced by domestic talent would authentically reflect local culture without external influences. This would contribute to spreading Saudi Arabia culture globally.

He expressed appreciation for the government’s support and promotion of the anime and manga industry.

Saudi Arabia’s commitment to fostering a vibrant manga and anime culture is evident in its recent initiatives.

The “Manga Education” program, launched by the ministries of culture and education, aims to develop students’ capabilities in this field. This program aligns with the broader strategy of incorporating culture and arts into public education.


Princess Sara announces launch of Misk heritage museum ‘Asaan’ in Diriyah

Princess Sara announces launch of Misk heritage museum ‘Asaan’ in Diriyah
Updated 7 sec ago
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Princess Sara announces launch of Misk heritage museum ‘Asaan’ in Diriyah

Princess Sara announces launch of Misk heritage museum ‘Asaan’ in Diriyah
  • The goal of the museum is to become a global cultural hub celebrating Saudi Arabia’s heritage.
  • The museum will cover more than 40,000 sq. meters

RIYADH: Princess Sara bint Mashhour bin Abdulaziz, the wife of Saudi Crown Prince Mohammed bin Salman, announced the launch of Misk Heritage Museum program “Asaan,” a cultural institution expected to open in the coming years in Diriyah.

The goal of the museum, backed by the Mohammed bin Salman Foundation “Misk,” is to become a global cultural hub celebrating Saudi Arabia’s heritage.

It will play a key role in cultural sustainability through various exhibitions and educational programs.

“Asaan will showcase the Kingdom’s rich legacy, including artifacts, customs, and societal values,” Princess Sara, chairperson of Asaan, said in a statement.

“Our goal is to cultivate a generation that takes pride in its heritage and actively works to preserve and revitalize it.”

The museum will cover more than 40,000 sq. meters and will feature Zaha Hadid Architects’ designs, and blend traditional Najdi architecture with contemporary creativity.

Exhibits will include thousands of heritage artifacts that illustrate Saudi history and cultural evolution.

The site will also feature permanent exhibitions, art galleries, an arts courtyard, and the “Asaan’s Majlis,” a dedicated space for dialogue, workshops, and cultural discussions.

The museum will also house conservation laboratories and interactive learning programs, providing visitors with immersive experiences that bring Saudi history and traditions to life.

Princess Sara is a strong advocate for cultural preservation and empowerment, particularly in supporting young people and individuals with disabilities through educational and professional initiatives. Her efforts align with Saudi Vision 2030’s focus on heritage conservation and national identity, the Saudi Press Agency reported on Monday.

Asaan is expected to become a major cultural landmark, reinforcing Saudi Arabia’s leadership in heritage preservation and its commitment to celebrating its historical legacy on a global stage.

 


US Secretary of State arrives in Riyadh

US Secretary of State arrives in Riyadh
Updated 33 min 45 sec ago
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US Secretary of State arrives in Riyadh

US Secretary of State arrives in Riyadh

RIYADH: US Secretary of State Marco Rubio arrived in Saudi Arabia on Monday on his first tour of the Middle East as Washington’s top diplomat. 

Rubio’s plane earlier took off from Ben Gurion airport near Tel Aviv, bound for Riyadh, where he is set to meet Saudi leaders including his Saudi counterpart Prince Faisal bin Farhan. 

Rubio is leading a delegation to Saudi Arabia in preparation for direct talks between US and Russian officials in the coming days to seek an end to Moscow’s invasion of Ukraine.

The trip follows last week’s telephone call between President Donald Trump and Russian President Vladimir Putin in which Trump said they “agreed to have our respective teams start negotiations immediately.”


SINDBAD Collective takes creativity for a road trip across Saudi Arabia and Bahrain

SINDBAD Collective takes creativity for a road trip across Saudi Arabia and Bahrain
Updated 17 February 2025
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SINDBAD Collective takes creativity for a road trip across Saudi Arabia and Bahrain

SINDBAD Collective takes creativity for a road trip across Saudi Arabia and Bahrain
  • Together, the aim of the SINDBAD Collective is to form a community of creatives who believe in breaking barriers, taking risks and making art more accessible

ALKHOBAR: If you were in the right place at the right time, you might have caught a glimpse of something unexpected — a vehicle led by eight art experts, transformed into a roving exhibition, rolling across Saudi Arabia and Bahrain.

From Feb. 6-20, the fourth annual exhibition of the SINDBAD Collective took to the road, turning highways into hallways and city streets into gallery spaces.

This year’s edition, “SINDBAD: On the Road!,” is a mobile exhibition that challenges the traditional idea of gallery spaces. The collective modified an existing vehicle with a custom extension, allowing the team to exhibit, collect and connect with creative communities throughout the journey. They started in Jeddah, their home base, and made stops in Riyadh, Alkhobar and Bahrain before returning to Jeddah for a final showcase.

Moving art was just one part of the journey; it was about redefining how and where art can be experienced. (Supplied)

The journey began with a pre-launch event in Jeddah on Feb. 5, featuring an open mic and pickup event at Wasl Art Space.

The road trip officially kicked off on Feb. 6, as the SINDBAD team set out for Riyadh. A car meet took place on Feb. 7, followed by a pickup and open mic at Lamaat and Beast House in JAX district on Feb. 8.

In Alkhobar, where Arab News met the fun and dynamic team, the event was held on a rooftop at Bohemia Art Cafe on Valentine’s Day. The vehicle wouldn’t fit for logistical reasons, so people had to climb the stairs to witness — and submit — art.

HIGHLIGHTS

• From Feb. 6-20, the fourth annual exhibition of the SINDBAD Collective took to the road, turning highways into hallways and city streets into gallery spaces.

• In Alkhobar, where Arab News met the fun and dynamic team, the event was held on a rooftop at Bohemia Art Cafe on Valentine’s Day.

• The journey then crossed into Bahrain, where Riwaq Art Space hosted an exhibition on Feb. 15.

The journey then crossed into Bahrain, where Riwaq Art Space hosted an exhibition on Feb. 15.

Every year, the collective hosts an open call, inviting artists and researchers to submit work that challenges traditional formats. (Supplied)

The adventure will return to Jeddah, where on Feb. 20 Naqsh Art Studio will host a final exhibition showcasing the collected works and research from the entirety of the trip.

But the journey won’t stop there. SINDBAD will also participate at the N.E.S.T. Book Launch in AlUla on March 13.

This year, the structure itself was a modular three-panel system, designed to collapse, adapt and cross boundaries — literally and figuratively. The journey wasn’t just about moving art; it was about redefining how and where art can be experienced. Each city hosted a mix of guerrilla-style pop-ups and community activations.

Moving art was just one part of the journey; it was about redefining how and where art can be experienced. (AN photo)

This year, the team introduced SINDBAD Radio, an online platform featuring open-mic performances, artist submissions and curated music playlists to accompany the journey.

“Whenever somebody submits a work, they come and record a voice note explaining it,” Abdullah Al-Amoudi, a co-founder of the collective, told Arab News. “We put it on SINDBAD Radio, so when you tune in, you hear their story.” The radio station also broadcast live updates from the road, allowing audiences to follow along as the team made their way across the Kingdom.

SINDBAD Collective was founded in 2021 in Jeddah by a group of artists, designers, curators and researchers who wanted to create a more inclusive and experimental art platform.

The SINDBAD has been collecting artwork, sharing music, and engaging with communities since Feb. 6. (Supplied)

Every year, the collective hosts an open call, inviting artists and researchers to submit work that challenges traditional formats.

“The space of SINDBAD is a space of discovery. It’s a space for learning. It’s a space to make mistakes,” said his sister Ahaad Al-Amoudi, a founding member of the collective. “We take most of the works that are submitted. We never say no to any work.”

Ahaad is an accomplished artist whose work addresses history and representation. She earned degrees in visual communication from Dar Al-Hekma University in Jeddah and a master’s degree in print from the Royal College of Art, London.

Safwan Fallatah, also known as Mista Safwan, is a music producer, photographer and filmmaker. (Supplied)

In her research about Saudi Arabia’s ethnography, Ahaad’s photography, video and print installations are meant to reinterpret historical renditions of a reforming culture.

Ahaad and Abdullah’s mother, Effat Fadag, is an associate professor of fine arts at the University of Jeddah and a multidisciplinary artist — and the biggest champion of the group.

Abdullah is a designer and artist trained in film and landscape architecture, and the co-founder of THIRD SPACE* Studio. Together, they form the core of the collective.

They chose the name SINDBAD because of its deep cultural resonance. “Everybody has a different memory of who Sindbad is, but he’s always journeying,” Ahaad explained. “That’s why we thought he fit really well. He’s young, he’s fresh, he’s journeying.”

For the SINDBAD team, this year was all about community-building. “There’s so much happening in Riyadh, in Bahrain, in Jeddah,” Ahaad said. “We wanted to create a bond where we’re coming to you in Alkhobar, but you’re also coming to us.”

The idea of an open, evolving exhibition resonated deeply with people.

“We got to Alkhobar, and we thought — Bahrain is close enough, right?” Ahaad recalled. “We can cross the border. We can take this even further.”

As they traveled, something unexpected happened: Artists started pulling out artworks from their pockets. “They would see the truck open, see the artworks inside, and then literally take pieces out of their pockets and hand them to us,” Abdullah said. “They were ready for it. Some would even go back home, grab their artworks, and return.” The trip became a testament to artistic spontaneity and inclusivity.

“A lot of young artists feel like they have to apply to an open call, that they have to be at a certain level,” the siblings said. “We’re trying to break that barrier. We want them to feel safe, to feel like they can showcase their work, even if it’s a work in progress or something they made years ago. It’s time for them to take that step.”

Since Feb. 6, the SINDBAD team has been on the road, collecting artwork, sharing music, and engaging with communities.

Abdullah, who drove the entire 15-hour stretch from Riyadh to Alkhobar, described it as part of the fun. “I enjoy it a lot,” he said. “We have a radio station this year with SINDBAD Radio. It’s curated, and we go live on Instagram. People can tune in and listen as we drive — ‘We’re coming, we’re passing through this city, we’re on our way to that city.’”

With each stop, SINDBAD brought new voices into the fold, proving that art isn’t confined to galleries — it’s everywhere.

Beyond the Al-Amoudi family, SINDBAD Collective includes a diverse group of artists and researchers.

Mohsin Ali is an architectural researcher and curator exploring post-colonial migration and decolonial processes through architecture. He is currently an assistant curator at Art Jameel.

Damon James Owen is a multidisciplinary artist and educator working in printmaking, publishing, and experimental media.

Manar Eissa is a graphic designer and illustrator whose nature-inspired art reflects her passion for storytelling.

Yasser Al-Zahrani is a production manager and art director specializing in Saudi Arabia’s contemporary art scene.

Safwan Fallatah, also known as Mista Safwan, is a music producer, photographer and filmmaker.

Together, the aim of the SINDBAD Collective is to form a community of creatives who believe in breaking barriers, taking risks and making art more accessible. And if you missed them this time, keep your eyes on the road. You never know when SINDBAD might roll through your city next.

 


Deputy foreign minister meets Russian ambassador to Saudi Arabia

Waleed Elkhereiji (R) and Sergey Kozlov in Riyadh. (Supplied)
Waleed Elkhereiji (R) and Sergey Kozlov in Riyadh. (Supplied)
Updated 16 February 2025
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Deputy foreign minister meets Russian ambassador to Saudi Arabia

Waleed Elkhereiji (R) and Sergey Kozlov in Riyadh. (Supplied)
  • The two sides discussed bilateral relations and ways to enhance cooperation

RIYADH: Saudi Arabia’s Deputy Foreign Minister Waleed Elkhereiji met with Ambassador of Russia to the Kingdom Sergey Kozlov in Riyadh on Sunday.

During the meeting, the two sides discussed bilateral relations and ways to enhance cooperation, as well as other topics of common interest, the Foreign Ministry wrote on X.

Meanwhile, Riyadh Gov. Prince Faisal bin Bandar received Ambassador of New Zealand to the Kingdom Charles Kingston on Sunday in Riyadh, where they engaged in cordial talks, the Saudi Press Agency reported.

 

 


Saudi minister Al-Jubeir discusses land reclamation, security at Munich conference

Saudi minister Al-Jubeir discusses land reclamation, security at Munich conference
Updated 16 February 2025
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Saudi minister Al-Jubeir discusses land reclamation, security at Munich conference

Saudi minister Al-Jubeir discusses land reclamation, security at Munich conference
  • Al-Jubeir said land safety is essential for achieving security and stability, underscoring Saudi Arabia’s commitment to combating desertification in partnership with the UN

MUNICH: The Saudi Minister of State for Foreign Affairs Adel Al-Jubeir took part in a key dialogue session on land reclamation and security at the Munich Security Conference on Sunday.

The session, organized in collaboration with the UN Convention to Combat Desertification and the Adelphi Research Foundation, addressed the link between land preservation and global stability.

Al-Jubeir said land safety is essential for achieving security and stability, underscoring Saudi Arabia’s commitment to combating desertification in partnership with the UN.

He highlighted the Kingdom’s leadership at COP16, which focused on the negative repercussions of land degradation and the need for sustainable solutions.

Al-Jubeir outlined Saudi Arabia’s local, regional, and international initiatives aimed at protecting land and addressing desertification.

He also called for strong international cooperation to tackle the cross-border challenges posed by land degradation and urged global policymakers to implement effective strategies to safeguard both the environment and security.